by Lisa Zeiger

“All I can see is the frame.”
–Robert Mitchum in Jacques Tourneur’s Out of the Past

The art of Shirin Neshat is the pure, clear pool at the heart of a Persian garden. On its surface play fountains of poetry and music, films and visions. In its depths reside all the sequestered emotion, alluring ritual, and ambivalent traditions of the artist’s native Iran. Long gone from another country, Neshat exalts its beauty in the photographs, video installations and feature films she has been making since the early 1990s. …

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